THE MAGAZINE
Mariko Sasaki, First Soloist, The Royal Ballet: Getting Ready for a “Swan Lake” Debut
How do you prepare for a Swan Lake debut—one of classical ballet’s most demanding double roles? TWoA talks to Mariko Sasaki, First Soloist with The Royal Ballet, about stepping into Odette and Odile for the first time, shaping character and partnership with Joseph Sissens, and navigating the emotional and technical marathon of Swan Lake.
Tiffany Poon, Pianist: A Rising Star on Her New Album “Diaries: Schumann”
For Tiffany Poon, music is a space for thinking as much as feeling. In conversation around her new album Diaries: Schumann, the pianist reflects on childhood, philosophy, and the value of daydreaming — tracing how Robert Schumann’s music became a framework for questions about identity, creativity, and what it means to grow into oneself as an artist.
Benal Tanrısever, Pianist and Educator: Music Starts with the Imagination
For pianist and educator Benal Tanrısever, music is not about flawless execution but imaginative communication. Trained at The Juilliard School and shaped by an international performing career, Tanrısever speaks with TWoA about education, ambition, and why music should belong to everyone—not just professionals.
How to Become a Cello: Royal Ballet Principal Marcelino Sambé in Cathy Marston’s “The Cellist,” Royal Ballet, 20 October – 2 November 2023
What does it mean to dance an instrument rather than a character? In this TWoA interview, Marcelino Sambé discusses creating the role of “The Instrument” in The Royal Ballet’s The Cellist, choreographed by Cathy Marston. Reflecting on loss, embodiment, and musical intimacy, Sambé reveals how movement, sound, and emotion merge in this haunting tribute to cellist Jacqueline du Pré.
Viviana Durante, Artistic Director of English National Ballet School: “Follow Your Dream and See Where It Takes You!”
What does it take to follow a dream—especially when it begins far from home? In this TWoA interview, Viviana Durante, Artistic Director of English National Ballet School, reflects on her journey from Rome to the world’s leading stages and her philosophy of dance education today. From resilience and homesickness to interpretation, individuality, and collaboration, Durante shares what it means to build artists—not just dancers.
In Conversation: Pianists and 2023 Cliburn Junior Competitors Saehyun Kim 김세현 (16) and Seokyoung Hong 홍석영 (15)
Ahead of the 2023 Cliburn Junior Competition, TWoA speaks with rising pianists Saehyun Kim and Seokyoung Hong about moving from Seoul to the US, artistic individuality, and finding freedom beyond competition.
Ask the Experts: Practice and Competition Advice from Pianists Seokyoung Hong 홍석영 (15) and Saehyun Kim 김세현 (16)
How much should you really practise? How do you stay calm on stage? In this TWoA expert guide, Cliburn Junior pianists Seokyoung Hong and Saehyun Kim share honest advice on competition pressure, mental practice, and trusting the music—cloud-gazing included.
Hip Hop Meets Ballet: Dutch National Ballet and ISH Dance Collective Present Oscar Wilde’s “Dorian Gray”
What happens when classical ballet collides with hip hop culture? In Dorian, Dutch National Ballet and ISH Dance Collective reimagine Oscar Wilde’s The Picture of Dorian Gray for an image-obsessed, social-media age. Through structured improvisation, live illustration, and sharply contrasting movement styles, the production pushes dancers—and audiences—far beyond their comfort zones. Read on for more.
Elaina Spiro, Cello Student at Boston Conservatory: Everyone Has a Different Path!
There is no single route to becoming a musician — and Elaina Spiro knows this better than most. From discovering the cello by chance to finding purpose through illness, practice, and performance, her story challenges the myth of the “perfect” musical path. In conversation with TWoA, the Boston Conservatory cellist reflects on resilience, mentorship, mental health, and the healing power of music.
Ask Elaina: Efficient Music Practice and Tips on Concert Wear
How do young musicians practice smarter — and dress for the stage without distraction? In this practical Q&A, Boston Conservatory cellist Elaina Spiro shares her method for turning lessons into focused, efficient practice. From recording strategies to cultivating positive self-talk, her approach puts the mind at the centre of musical growth. She also breaks down the often-overlooked art of concert wear — thoughtfully, honestly, and with performer-tested insight, exclusively for TWoA.
Ballet with Isabella: ‘I Really Fell in Love with Helping People!’
Former Vaganova Ballet Academy graduate Isabella McGuire Mayes shares why mindset, mental health, and injury awareness are essential to a sustainable ballet career. In an interview with TWoA, she reflects on coaching, private training, and how ballet education needs to change.
Violinist Amelia Febles Díaz: Classical Music in Cuba
Cuba is world-famous for its rhythms, but its classical music tradition is just as rich. Cuban violinist Amelia Febles Díaz reflects on growing up in Cuba’s rigorous music schools, blending Mozart with mambo, and why reconnecting with her own musical roots ultimately made her a stronger artist.
Interview: Mezzo-Soprano Nina Vinther on Female Power, Sustainability and the Magic of Stories
How can music help change the world? In a conversation with TWoA, Nina Vinther reflects on female representation, sustainable artistry, and the magic of storytelling—revealing how culture can turn facts into action.
In Conversation with Julian MacKay: Social Media and the Arts
Is social media helping or harming young artists? In this conversation, Julian MacKay reflects on branding, visibility, and responsibility in the digital age—revealing why respect, quality, and restraint matter as much online as they do on stage.
Interview: Principal Dancer Julian MacKay, Bayerisches Staatsballett
From Montana to Moscow and now Munich, Julian MacKay speaks candidly about training at the Bolshoi, performing with the Mikhailovsky Theatre, navigating global ballet politics, and finding his artistic home at the Bayerisches Staatsballett.
Julian MacKay: Advice for Young Dancers and Musicians - “Embrace Uncertainty!”
Training for a career in dance or music means living with doubt, competition, and constant change. Principal dancer Julian MacKay reflects on finding the right environment, building resilience, and why uncertainty isn’t a weakness—but a vital part of becoming an artist.
Chineke! Orchestra’s Betania Johnny (19, violinist): Expand the Picture!
Violinist Betania Johnny has grown up alongside the groundbreaking Chineke! Foundation, helping to redefine who classical music is for. In this TWoA interview, she reflects on practice, purpose, and why expanding the repertoire—and the picture—matters more than ever.
BBC Young Musician 2022: Percussionist Jordan Ashman
At just 18, Jordan Ashman became only the third percussionist to win BBC Young Musician. From DIY instruments to redefining what percussion can be, this interview reveals what it really takes to stand out—and why percussion is anything but background noise.
Interview: Princess Grace Academy’s Luca Branca (Winner of the 2022 Prix de Lausanne Young Creation Award) and Morgan Johnson
From Monte Carlo to Lausanne: Princess Grace Academy students Luca Branca and Morgan Johnson reflect on creativity, collaboration, and finding joy through dance—following Luca’s win at the Prix de Lausanne Young Creation Award.