THE MAGAZINE

Chun-Wing Lam, Paris Opera Ballet: “I never danced so well before I had my wealth management firm.”
Paris Opera Ballet’s Chun-Wing Lam is probably the only dancer in the world to combine a successful dance career with running his own wealth management firm. TWoA talked to Chun about moving from Hong Kong to Paris when he was fourteen, about the unique promotion system at the Paris Opera Ballet, and about the artistic and mental benefits of having two careers at the same time.

Death in Springtime: The Uncanny Power of Stravinsky’s “Rite of Spring”
Perhaps you notice patterns within yourself that stir as the winter colours into spring or the summer burns into autumn. Russian avant-garde composer Igor Stravinsky captures this most masterfully in The Rite of Spring.

Guest Artist: Motomitsu Fujiwara, Tokyo University of the Arts
Explore the world of our guest artist, Motomitsu Fujiwara, Tokyo University of the Arts.

From Sicilian Fisherwomen to Pious Folk Hymns: Cathy Berberian’s “New Vocality” Style
Is this a comic strip or a music score? Find out.

From Berlin With Love: The Philharmonie Berlin
When it comes to classical music, Berlin is definitely one of the global capitals. Find out what it’s like to attend a concert at the Philharmonie Berlin in our insider city letter.

The Architecture of the Oscar Nominees
The 2025 Oscars came and went, and with no shortage of excellent films nominated from this past year. What many of the films have in common is a stunning and real focus on multifaceted architecture within their stories and cinematography.

Palazzo Medici: Scandal, Power, and Politics
The Medici mastered money—but their real genius was in perception. When too much grandeur could kill you, the Medici built smarter—not bigger.

Choreographer Spotlight: Jean-Christophe Maillot
Choreographer spotlight on Jean-Christophe Maillot of Les Ballets de Monte-Carlo! His choreography appears so naturalistic on his dancers, it seems to flow from the soul onto the stage…it’s tough to think of anything better than that.

Celestial Soundtracks: Hollywood and the Music of György Ligeti
Some pieces of twentieth century classical music sound as if they've come from another planet. György Ligeti's Atmosphères is one of those pieces. And if you think that avant-garde classical music and Hollywood don’t go together, think again: director Stanley Kubrick was so intrigued by Ligeti’s music that he used it in his 1968 film 2001: A Space Odyssey.

From the Bosphorus With Love: The Istanbul Museum of Modern Art
Istanbul’s location between Europe and Asia makes it one of the most special cities in the world. Experience the city’s special vibe in our correspondent’s letter from Istanbul, and find out how Japanese artist Chiharu Shiota and Icelandic-Danish artist Olafur Eliasson draw inspiration from the city’s location.

Artful Anchovies: The Art History Behind the Tinned Fish Revival
Canned seafood has transformed from cheap staple to a vibrant luxury that is quickly becoming a bespoke influence on the culinary and aesthetic world. There is another element that has been snatching the attention of small businesses, social media users, and consumers: the artwork that the fish comes wrapped in.

Adapting to Loss of Limbs: The Stories of Two Musicians - Django Reinhardt and Paul Wittgenstein
Having strong and competent hands is important to being a musician. But what about those who are missing limbs? Here are two snapshots of influential musicians, Django Reinhardt and Paul Wittgenstein, who rose to prominence through adapting their technique to a physical disability.

The Wall of Memory: The Lost Ukrainian Monument
Almost forty years ago, in 1986, the Soviet authorities destroyed the largest work of art in Europe, The Wall of Memory. The Ukrainian artists Ada Rybachuk and Volodymyr Melnychenko had spent thirteen years constructing the monument in Kyiv, just to find it forbidden by the Soviet authorities. Today, the AVRM foundation is still working for its restoration, against the backdrop of the war that started on 22 February 2022 with Russia’s invasion of Ukraine.

From London With Love: The Thursday Gallery Crawl
When it comes to art and culture, there’s hardly a city as hecticly eclectic as London. In this exclusive letter, TWoA spills the tea on all the going-ons in the London art scene, giving you insider information into the British art world, its peoples, and its dramas.
Rhyuhn Green, 18, Pianist and Composer: Creating a Melting Pot in Classical Music
Rhyuhn Green is a young composer and pianist with a vision: classical music should become a melting pot of different cultures. The Juilliard student is a recipient of a prestigious Kovner fellowship and has just released his debut album, ph3onix3s. TWoA talked to the Philadelphia native about his musical journey, leadership in the classical arts, and, of course, his album.

Reclaiming Venus: How We Misunderstand Beauty
The rise of imperfection as a new aesthetic challenges Renaissance ideals, but Botticelli’s Venus reminds us that beauty is more than skin deep—it’s a gateway to the divine. To find out why, read this article and discover how her beauty is just as moral and philosophical as it is physical.

Choreographer Spotlight: Justin Peck
Renowned for his energetic footwork and playful musicality, Justin Peck has forged an incredibly prolific career as New York City Ballet’s Resident Choreographer. Peck began his choreographic journey in 2005 as a student at the School of American Ballet, NYCB’s affiliated ballet school, and now twenty years later, he has produced over 50 ballets.
Interview: Chloe Helimets, 15, Prix de Lausanne 2025 Finalist
Chloe Helimets, 15, is one of eighty-six dancers selected to compete at this year’s Prix de Lausanne taking place from 2 to 9 February 2025 in Lausanne, Switzerland. TWoA talked to Chloe about growing up in a ballet family, her ballet journey, and about the best way to approach competitions.

Joseph Markey, American Ballet Theatre: On Turning “Crime and Punishment” into a Ballet
Fedor Dostoevsky’s dark psychological novel Crime and Punishment is a masterpiece of world literature. Last autumn, you could find it in the dance bags of many dancers at American Ballet Theatre: choreographer Helen Pickett and co-director James Bonas were turning the book into a ballet for American Ballet Theatre. The company will perform the production at the John F. Kennedy Center for the Performing Arts ins Washington on 12-16 February 2025. TWoA talked to ABT dancer Joseph Markey, who created the part of Luzhin, and who will have his debut as Raskolnikov in Washington.

Sleep, Dreams, Fantasies: Three Very Short Essays on Schumann’s Kinderszenen
While other composers wrote their pieces with quill and ink, Schumann composed using magic. His head was constantly filled with stories and daydreams, and every now and then, one of them would find their way onto a piece of paper – this is how he wrote his Kinderszenen.