Danae Venson’s music begins where language fails—shaped by jazz, gospel, classical tradition, and the vivid colours of her synesthesia. In this conversation with TWoA, the Juilliard-trained composer reflects on her artistic beginnings, composing through trauma, and discovering a musical vocabulary entirely her own. Read on to discover how she’s shaping the music she always longed to hear.

Balancing a dance career with an academic degree sounds impossible until you hear Anastasia Cheplyansky explain how she did both. In this article, TWoA looks at her path from Atlanta Ballet to Dutch National Ballet, and how studying psychology reshaped her approach to training, pressure, and performance.

What really shapes an opera—is it simply the music, or also the eye that decides how a performance should be seen? Stage director Gilles Rico sits down with TWoA to explain how ideas, images, and instincts give a production its spine. Read on.

For many years, Zenaida Yanowsky was one of The Royal Ballet’s most singular principals—rigorous, magnetic, impossible to forget. Now a coach shaping dancers across major companies, she speaks with TWoA about precision, presence, and the quiet authority behind great performance. Read on.

Lea Brückner is a violinist, moderator and climate ambassador who has carved out a unique career for herself, combining her passion for music with her commitment to sustainability. TWoA talked to Lea about the role culture can play in the battle against climate change, and about the specific steps cultural organisations can take towards becoming more sustainable.

Paris Opera Ballet’s Chun-Wing Lam is probably the only dancer in the world to combine a successful dance career with running his own wealth management firm. TWoA talked to Chun about moving from Hong Kong to Paris when he was fourteen, about the unique promotion system at the Paris Opera Ballet, and about the artistic and mental benefits of having two careers at the same time.

Rhyuhn Green is an 18-year-old composer and pianist on a mission to turn classical music into a true cultural melting pot. In this conversation, the Juilliard Kovner Fellow shares his journey from rock stages to Carnegie Hall, the ideas behind his debut album ph3onix3s, and his hopes for the future of the classical arts.

Fifteen-year-old Chloe Helimets, a third-generation ballet dancer and two-time YAGP Youth Grand Prix winner, is one of just eighteen Americans selected for the Prix de Lausanne 2025. In this interview, she speaks about growing up in a ballet family, preparing for the world’s most prestigious competition, and learning to balance artistry, pressure, and passion.

Fedor Dostoevsky’s dark psychological novel Crime and Punishment is a masterpiece of world literature. Last autumn, you could find it in the dance bags of many dancers at American Ballet Theatre: choreographer Helen Pickett and co-director James Bonas were turning the book into a ballet for American Ballet Theatre. The company will perform the production at the John F. Kennedy Center for the Performing Arts ins Washington on 12-16 February 2025. TWoA talked to ABT dancer Joseph Markey, who created the part of Luzhin, and who will have his debut as Raskolnikov in Washington.

Rae Yue Pung, a 21-year-old Singaporean pianist who has just released her debut album Piano Sonatas, speaks to TWoA about growing up in Singapore’s young classical-music scene, her unconventional path through elite training abroad, and the complex journey from precocious child musician to independent, mature artist.

Former Royal Harpist Alis Huws has played for kings, emperors, and global audiences—but her most meaningful performances often happen far from the spotlight. Raised in Welsh-speaking Wales, where the harp is woven into daily life, Huws reflects on blind medieval bards, royal tradition, and the instrument’s quiet power to heal. From the coronation of King Charles III to dementia care homes and special-needs schools, she makes a compelling case for a 21st-century classical musician: one who doesn’t wait for audiences to come to the concert hall, but brings music directly to the people who need it most.

How does a 19-year-old dancer navigate the leap from international competition to professional life? Prize-winning ballerina Paloma Livellara Vidart reflects on her journey from Buenos Aires to Monaco and New York, her award-winning performance at the Prix de Lausanne 2024, and her first weeks dancing with American Ballet Theatre Studio Company, sharing thoughtful insights on growth, self-belief, and finding joy in the early stages of a professional career.

What happens when a classical composer reimagines a familiar sound through centuries of musical style? Pianist and content creator Nahre Sol discusses her project of composing variations on the iPhone ringtone “Opening,” created during her residency at Hamburg’s Elbphilharmonie, and reflects on musical style, composition, and why listening closely matters more than ever.

Crystal Huang, 15, is having a remarkable year. Until just two years ago, she was training primarily in commercial dance—but in 2024 she emerged as a prize winner at the Prix de Lausanne, one of the world’s most prestigious international ballet competitions. She also claimed top awards at Youth America Grand Prix 2024, YoungArts (Dance/Ballet), and the Grand Prix at the South Africa International Ballet Competition. TWoA spoke with Crystal about her unconventional journey and the lessons she’s learned about succeeding at competitions—onstage and beyond.

In a conversation with Spencer Rubin, TWoA explores the realities of building a contemporary classical career around one of music’s most demanding instruments. A student at The Juilliard School, Rubin reflects on his musical journey, from competition stages and solo appearances with orchestras to the painstaking craft of reed-making. Beyond the concert hall, TWoA also looks at how Rubin uses social media to demystify the oboe and open classical music to new audiences, navigating tradition, visibility, and virtuosity in equal measure.

In the second part of its conversation with performance psychologist Noa Kageyama, TWoA turns to the quieter work behind strong performances: practicing confidence, reframing anxiety, and learning how to stay resilient over the long arc of a musical life. Drawing on sport psychology and lived experience, Kageyama reflects on growth, patience, and what it really means to become “bulletproof.”

Performance psychologist Noa Kageyama, who teaches at The Juilliard School, reflects on how performers can work with pressure rather than against it, drawing on sport psychology to rethink anxiety, confidence, practice, and mental resilience. Read on for more.

When a last-minute casting upends months of preparation, TWoA explores how Yuka Iwai, principal soloist at K-Ballet Tokyo, prepared to step into Giselle with just two weeks’ notice—reflecting on pressure, partnership, and the fragile balance between instinct and control in an unexpected debut.

How does a composer find her voice between cinema, concert hall, and social media? TWoA explores how Eunike Tanzil draws inspiration from Star Wars and John Williams, turns hummed melodies into symphonic music, and carves out a distinctive artistic path following her signing with Deutsche Grammophon.

How do you prepare for a Swan Lake debut—one of classical ballet’s most demanding double roles? TWoA talks to Mariko Sasaki, First Soloist with The Royal Ballet, about stepping into Odette and Odile for the first time, shaping character and partnership with Joseph Sissens, and navigating the emotional and technical marathon of Swan Lake.

Pianist Tiffany Poon is about to launch her solo album Diaries: Schumann. Hong-Kong born, but New York-based, Tiffany is an artist with a mission: to demystify classical music by emphasising the human side of it. Her more than 323K subscribers on YouTube prove she’s on to something. TWoA talked to Tiffany about her first mini-toy keyboard, life and, of course, Schumann.

Benal Tanrısever is a Turkish pianist and music educator. She completed her musical education at The Juilliard School in New York and performed at Carnegie Hall and the Berlin Philharmonic before founding BT Music and Performing Arts, a music and performing arts school in Istanbul,Turkey. TWoA talked to Benal about her journey from Istanbul to New York, her experience at Juilliard, and her philosophy of learning and teaching music.

Cathy Marston’s one-act ballet “The Cellist” tells the tragic story of star cellist Jacqueline du Pré (1945-1987). TWoA spoke to Royal Ballet principal Marcelino Sambé, who created the part of “The Instrument” – Jacqueline du Pré’s cello. Sambé is performing the part again in the Royal Ballet’s current run of the ballet.

Even talking on Zoom from her office at English National Ballet School, Viviana Durante exudes that special something that made her one of the most celebrated dancers of her generation. Since 2020, she has been the artistic director of English National Ballet School (ENBS). TWoA talked to Viviana about leaving home at age eleven to train in a foreign country, her vision for dance education, the importance of giving meaning to every step, and much more.

The Third Cliburn International Junior Piano Competition and Festival for pianists aged 13 to 17 is taking place 8 – 17 June 2023 in Dallas, Texas. TWoA talked to two of the talented young pianists chosen to compete at the competition: Seokyoung Hong 홍석영 (15) and Saehyun Kim 김세현 (16). Both are originally from Seoul, but are now studying piano at New England Conservatory Preparatory School while attending Walnut Hill School for the Arts. Read on to find out about their lives in Korea and the USA.

The Third Cliburn International Junior Piano Competition and Festival for pianists aged 13 to 17 is taking place 8 – 17 June 2023 in Dallas, Texas. TWoA talked to two of the talented young pianists chosen to compete at the competition: Seokyoung Hong 홍석영 (15) and Saehyun Kim 김세현 (16). Both study piano at the New England Conservatory Preparatory School and attend the Walnut Hill School for the Arts. Read on for some practical advice on the triple challenge of practicing, performing and competing.

From 11 May until 16 June 2023, Dutch National Ballet and ISH Dance Collective, a street dance ensemble, present their latest collaboration: Dorian. The production mixes hip hop and ballet and presents an adaptation of Oscar Wilde’s novel The Picture of Dorian Gray. TWoA talked to ISH Dance Collective’s Lars De Vos and Skya Powney, a member of Dutch National Ballet’s Junior Company.

Elaina Spiro is a young cellist studying with Professor Rhonda Rider at Boston Conservatory at Berklee. She is in her third year of her undergraduate studies. TWoA talked to Elaina about her life in music and her unconventional path to Boston Conservatory.

Elaina Spiro is a third-year cello student at Boston Conservatory at Berklee. She has some great advice on efficient music practice and concert wear.

Amelia Febles Díaz is a young Cuban violinist. TWoA talked to Amelia about her classical music training in Cuba and about “Mozart y Mambo,” an inspiring project created by French horn player Sarah Willis of the Berlin Philharmonic that brings together Mozart and Cuban dances.