THE MAGAZINE

The Dazzling Spectacle of Frieze: Through the Eyes of an Intern
Art Georgia Dougherty Art Georgia Dougherty

The Dazzling Spectacle of Frieze: Through the Eyes of an Intern

Ever wondered what it’s like to work at London’s buzzing and fashionable Frieze Art Fair ? Find out from Georgia Dougherty, currently a student at The Courtauld Institute of Art, London. Georgia attended Frieze Masters as an intern with James Cohan Gallery, a contemporary art gallery based in New York.

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Marina Abramović and the Art of Being Present
Art Madeleine Dale Art Madeleine Dale

Marina Abramović and the Art of Being Present

What does it mean for an artist to become the artwork itself? In her 2010 performance entitled The Artist is Present, Marina Abramović spent three months sitting on a simple wooden chair in New York’s Museum of Modern Art, inviting audience members to sit across from her. Participants were required to follow three simple rules: remain silent, maintain eye contact, and avoid physical contact.

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How Do We Teach About Female Composers?
Classical Music Natalie Tero Classical Music Natalie Tero

How Do We Teach About Female Composers?

There is no question that women can be incredible musicians – brilliant composers, performers, conductors, theorists, and writers. In the last forty or so years, there has been an enormous surge of interest in shedding light on the lost music of female composers. But as we begin to fill in these gaps, what exactly is the best way to go about it?

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Interview: Paloma Livellara Vidart, 19, Prix de Lausanne 2024 Prize Winner
Dance, Interviews Christina Ezrahi Dance, Interviews Christina Ezrahi

Interview: Paloma Livellara Vidart, 19, Prix de Lausanne 2024 Prize Winner

There are some performances that stick with you. Paloma Livellara Vidart’s interpretation of Christopher Wheeldon’s  “You Turn Me On, I’m a Radio” at the Prix de Lausanne 2024 is one of those. TWoA talked to the Prix de Lausanne 2024 prize winner about her dance journey from Buenos Aires to Monaco and about her first couple of weeks at New York’s ABT Studio Company. Get ready for some deeply personal insights.

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Edges of Ailey: A Celebration of Alvin Ailey 
Dance Myala Callender Dance Myala Callender

Edges of Ailey: A Celebration of Alvin Ailey 

From 25 September 2024 until 9 February 2025, Edges of Ailey will inhabit the entirety of the 18,000 square-foot fifth floor of Manhattan’s Whitney Museum. It is the first commemoration of this size and breadth of choreographer and director Alvin Ailey, celebrating the many themes Ailey grappled with in launching a dance company that sought to center Blackness as a gift in the concert dance world.

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The Art of Pouring Milk
Art Melis Seven Art Melis Seven

The Art of Pouring Milk

One of Johannes Vermeer’s pioneering works is The Milkmaid (c. 1660), at first glance a simple image of a housemaid pouring milk.

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In Memory of Michaela DePrince
Dance Christina Ezrahi Dance Christina Ezrahi

In Memory of Michaela DePrince

The dance world is mourning the sudden death of Michaela Mabinty DePrince at the age of 29. Michaela was born in Sierra Leone in the middle of a brutal civil war. By the time she was three, she was a war orphan. Michaela was adopted by Charles and Elaine DePrince and raised in America. She has been an inspiration to many, as a dancer, as an ambassador for black representation in ballet, and as an advocate for children affected by conflict and violence. Read our tribute.

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