THE MAGAZINE
Danae Venson, Composer and Graduate, The Juilliard School: “Words were failing to describe what I felt, so I began to teach myself how to write music.”
Danae Venson’s music begins where language fails—shaped by jazz, gospel, classical tradition, and the vivid colours of her synesthesia. In this conversation with TWoA, the Juilliard-trained composer reflects on her artistic beginnings, composing through trauma, and discovering a musical vocabulary entirely her own. Read on to discover how she’s shaping the music she always longed to hear.
Anastasia Cheplyansky, Dutch National Ballet: “Studying While Dancing Brought a Lot of Balance Into My Life.”
Balancing a dance career with an academic degree sounds impossible until you hear Anastasia Cheplyansky explain how she did both. In this article, TWoA looks at her path from Atlanta Ballet to Dutch National Ballet, and how studying psychology reshaped her approach to training, pressure, and performance.
Gilles Rico, Stage Director: “I Consider Myself First and Foremost a Storyteller.”
What really shapes an opera—is it simply the music, or also the eye that decides how a performance should be seen? Stage director Gilles Rico sits down with TWoA to explain how ideas, images, and instincts give a production its spine. Read on.
Interview: Zenaida Yanowsky, Coach and Former Principal Dancer, The Royal Ballet
For many years, Zenaida Yanowsky was one of The Royal Ballet’s most singular principals—rigorous, magnetic, impossible to forget. Now a coach shaping dancers across major companies, she speaks with TWoA about precision, presence, and the quiet authority behind great performance. Read on.
Lea Brückner, Violinist and Climate Activist: “You Can Drive Social Change Through Culture.”
Lea Brückner is a violinist, moderator and climate ambassador who has carved out a unique career for herself, combining her passion for music with her commitment to sustainability. TWoA talked to Lea about the role culture can play in the battle against climate change, and about the specific steps cultural organisations can take towards becoming more sustainable.
Chun-Wing Lam, Paris Opera Ballet: “I never danced so well before I had my wealth management firm.”
Paris Opera Ballet’s Chun-Wing Lam is probably the only dancer in the world to combine a successful dance career with running his own wealth management firm. TWoA talked to Chun about moving from Hong Kong to Paris when he was fourteen, about the unique promotion system at the Paris Opera Ballet, and about the artistic and mental benefits of having two careers at the same time.
Rhyuhn Green, 18, Pianist and Composer: Creating a Melting Pot in Classical Music
Rhyuhn Green is an 18-year-old composer and pianist on a mission to turn classical music into a true cultural melting pot. In this conversation, the Juilliard Kovner Fellow shares his journey from rock stages to Carnegie Hall, the ideas behind his debut album ph3onix3s, and his hopes for the future of the classical arts.
Interview: Chloe Helimets, 15, Prix de Lausanne 2025 Finalist
Fifteen-year-old Chloe Helimets, a third-generation ballet dancer and two-time YAGP Youth Grand Prix winner, is one of just eighteen Americans selected for the Prix de Lausanne 2025. In this interview, she speaks about growing up in a ballet family, preparing for the world’s most prestigious competition, and learning to balance artistry, pressure, and passion.
Joseph Markey, American Ballet Theatre: On Turning “Crime and Punishment” into a Ballet
Fedor Dostoevsky’s dark psychological novel Crime and Punishment is a masterpiece of world literature. Last autumn, you could find it in the dance bags of many dancers at American Ballet Theatre: choreographer Helen Pickett and co-director James Bonas were turning the book into a ballet for American Ballet Theatre. The company will perform the production at the John F. Kennedy Center for the Performing Arts ins Washington on 12-16 February 2025. TWoA talked to ABT dancer Joseph Markey, who created the part of Luzhin, and who will have his debut as Raskolnikov in Washington.
Interview: Rae Yue Pung, pianist
Rae Yue Pung, a 21-year-old Singaporean pianist who has just released her debut album Piano Sonatas, speaks to TWoA about growing up in Singapore’s young classical-music scene, her unconventional path through elite training abroad, and the complex journey from precocious child musician to independent, mature artist.
Alis Huws, Former Royal Harpist: “It's the 21st century. We shouldn't be the ones expecting people to come and find us in a concert hall. I think you have to go to them.”
Find out from former Royal Harpist Alis Huws about the special connection between the harp and Wales, about her time as Official Royal Harpist, and about the healing power of music. Right in time for the festive season, be enchanted by Alis’s tales of blind medieval bards and the coronation of a king, of compassion and the gift of music.
Interview: Paloma Livellara Vidart, 19, Prix de Lausanne 2024 Prize Winner
There are some performances that stick with you. Paloma Livellara Vidart’s interpretation of Christopher Wheeldon’s “You Turn Me On, I’m a Radio” at the Prix de Lausanne 2024 is one of those. TWoA talked to the Prix de Lausanne 2024 prize winner about her dance journey from Buenos Aires to Monaco and about her first couple of weeks at New York’s ABT Studio Company. Get ready for some deeply personal insights.
Nahre Sol, Pianist and Composer: Composing Variations on the iPhone Ringtone “Opening”
Do you enjoy watching classical music content on YouTube or Instagram? If the answer is yes, you are probably a fan of Nahre Sol, the Juilliard-trained pianist, composer and content creator. TWoA talked to Nahre about composing variations on an iPhone ringtone and much more.
Crystal Huang, 15, Prix de Lausanne Prize Winner 2024: “The Love for Dance Comes First!”
Crystal Huang, 15, is having a remarkable year. Until about two years ago, Crystal was training in commercial dancing. In 2024, Crystal became a prize winner at the Prix de Lausanne, one of the most prestigious international ballet competitions. She is also a prize winner at the Youth America Grand Prix 2024, 2024 YoungArts (Dance/Ballet) and of the Grand Prix at the 2024 South Africa International Ballet Competition. TWoA talked to Crystal about her unusual dance journey, gathering some valuable tips on how to succeed at competitions.
Spencer Rubin, Oboe Student, The Juilliard School: On Oboe Reeds, Juilliard and Favourite Oboe Concertos
Spencer Rubin is an oboe student at The Juilliard School. He has earned numerous grand prize and first place awards in national and international competitions and has performed as a soloist with orchestras. Spencer is also a trailblazer on social media, making classical music and the oboe accessible through his channels on Instagram, YouTube and TikTok. TWoA talked to Spencer about his musical journey, the oboe and much else.
Noa Kageyama, Performance Psychologist (The Juilliard School): Making Performers Bulletproof, Part II
This is part II of our interview with performance psychologist Noa Kageyama. Noa is on the faculty of The Juilliard School, teaching performing artists how to use principles of sport psychology to perform to their full abilities under pressure. TWoA talked to Noa about beating performance anxiety, building confidence, effective practice and building mental resilience.
Noa Kageyama, Performance Psychologist (The Juilliard School): Making Performers Bulletproof, Part I
Performance psychologist Noa Kageyama is on the faculty of The Juilliard School, teaching performing artists how to use principles of sport psychology to perform to their full abilities under pressure. TWoA talked to Noa about beating performance anxiety, building confidence, effective practice and building mental resilience.
Yuka Iwai 岩井優花, Principal Soloist, K-Ballet Tokyo: How to Prepare for an Unexpected Debut
Yuka Iwai is a principal soloist with K-Ballet Tokyo. Two weeks before K-Ballet’s recent revival of Giselle, she found out that she would step in for an injured dancer and dance Giselle at the production’s opening night. TWoA talked to Yuka about the special challenge of learning a principal role in two weeks.
Eunike Tanzil, Composer, Pianist and Producer: On “Star Wars,” Composing and Finding Your Voice
Eunike Tanzil is a composer, pianist and producer. She writes music that tells a story and has gained social media fame with her “Hum me a melody” Instagram series. On 26 April 2024, Eunike signed an exclusive agreement with Deutsche Grammophon. TWoA talked to Eunike about composing and finding your own voice.
Mariko Sasaki, First Soloist, The Royal Ballet: Getting Ready for a “Swan Lake” Debut
TWoA talked to Royal Ballet soloist Mariko Sasaki about her upcoming debut in Swan Lake. It is her first leading role in a three-act classical ballet.