THE MAGAZINE
Interview: Paloma Livellara Vidart, 19, Prix de Lausanne 2024 Prize Winner
There are some performances that stick with you. Paloma Livellara Vidart’s interpretation of Christopher Wheeldon’s “You Turn Me On, I’m a Radio” at the Prix de Lausanne 2024 is one of those. TWoA talked to the Prix de Lausanne 2024 prize winner about her dance journey from Buenos Aires to Monaco and about her first couple of weeks at New York’s ABT Studio Company. Get ready for some deeply personal insights.
Nahre Sol, Pianist and Composer: Composing Variations on the iPhone Ringtone “Opening”
Do you enjoy watching classical music content on YouTube or Instagram? If the answer is yes, you are probably a fan of Nahre Sol, the Juilliard-trained pianist, composer and content creator. TWoA talked to Nahre about composing variations on an iPhone ringtone and much more.
Silent Stories: The Language of Style from the Old Masters to Bridgerton
To understand art (or Bridgerton!), you may as well start with the clothing. From the Old Masters to the TV screen, style reveals unspoken stories, offering a peek into characters’ interiority.
Choosing the Right Variation for a Ballet Competition
Are you planning to compete at a ballet competition this school year? Choosing the right variation is a key condition for success. What principles should guide your choice? TWoA talked to Inna Bayer, artistic director of Bayer Ballet Academy, and one of her students, Crystal Huang, prize winner at the Prix de Lausanne 2024, the Youth America Grand Prix 2024, 2024 YoungArts (Dance/Ballet) and of the Grand Prix at the 2024 South Africa International Ballet Competition.
Crystal Huang, 15, Prix de Lausanne Prize Winner 2024: “The Love for Dance Comes First!”
Crystal Huang, 15, is having a remarkable year. Until about two years ago, Crystal was training in commercial dancing. In 2024, Crystal became a prize winner at the Prix de Lausanne, one of the most prestigious international ballet competitions. She is also a prize winner at the Youth America Grand Prix 2024, 2024 YoungArts (Dance/Ballet) and of the Grand Prix at the 2024 South Africa International Ballet Competition. TWoA talked to Crystal about her unusual dance journey, gathering some valuable tips on how to succeed at competitions.
Spencer Rubin’s Guide to New York
Spencer Rubin is an oboe student at The Juilliard School in New York. He has earned numerous grand prize and first place awards in national and international competitions and has performed as a soloist with orchestras. He grew up on Long Island, just outside Manhattan. TWoA talked to Spencer about his favourite things to do in the Big Apple.
Spencer Rubin, Oboe Student, The Juilliard School: On Oboe Reeds, Juilliard and Favourite Oboe Concertos
Spencer Rubin is an oboe student at The Juilliard School. He has earned numerous grand prize and first place awards in national and international competitions and has performed as a soloist with orchestras. Spencer is also a trailblazer on social media, making classical music and the oboe accessible through his channels on Instagram, YouTube and TikTok. TWoA talked to Spencer about his musical journey, the oboe and much else.
Considering Practice, Remembering Fun
Bravery requires fear: “I wish I could tell you whether the rest of the recital went well or not, but honestly I wasn’t even listening to myself, I was just thinking: Don’t fuck up. Don’t fuck up, or you’ll have wasted all of their time. Don’t fuck up, or they’ll all wonder why you were asked to play in the first place. Don’t fuck up, or they’ll find out that you’re the worst organist in Cambridge. “
Noa Kageyama, Performance Psychologist (The Juilliard School): Making Performers Bulletproof, Part II
This is part II of our interview with performance psychologist Noa Kageyama. Noa is on the faculty of The Juilliard School, teaching performing artists how to use principles of sport psychology to perform to their full abilities under pressure. TWoA talked to Noa about beating performance anxiety, building confidence, effective practice and building mental resilience.
Noa Kageyama, Performance Psychologist (The Juilliard School): Making Performers Bulletproof, Part I
Performance psychologist Noa Kageyama is on the faculty of The Juilliard School, teaching performing artists how to use principles of sport psychology to perform to their full abilities under pressure. TWoA talked to Noa about beating performance anxiety, building confidence, effective practice and building mental resilience.
Yuka Iwai 岩井優花, Principal Soloist, K-Ballet Tokyo: How to Prepare for an Unexpected Debut
Yuka Iwai is a principal soloist with K-Ballet Tokyo. Two weeks before K-Ballet’s recent revival of Giselle, she found out that she would step in for an injured dancer and dance Giselle at the production’s opening night. TWoA talked to Yuka about the special challenge of learning a principal role in two weeks.
Eunike Tanzil, Composer, Pianist and Producer: On “Star Wars,” Composing and Finding Your Voice
Eunike Tanzil is a composer, pianist and producer. She writes music that tells a story and has gained social media fame with her “Hum me a melody” Instagram series. On 26 April 2024, Eunike signed an exclusive agreement with Deutsche Grammophon. TWoA talked to Eunike about composing and finding your own voice.
Will Social Media Shape the Future of Classical Music?
Who doesn’t enjoy a good scroll through some classical music content on social media? But the role of social media in the world of classical music goes beyond entertainment. Social media might help create a vision of classical music suited to modern society, and reaching a diverse audience that reflects this society.
Mariko Sasaki, First Soloist, The Royal Ballet: Getting Ready for a “Swan Lake” Debut
TWoA talked to Royal Ballet soloist Mariko Sasaki about her upcoming debut in Swan Lake. It is her first leading role in a three-act classical ballet.
Eating the Opera: The Recipes Behind Three of Italy’s Most Celebrated Composers
Good music isn’t made on an empty stomach. Discover the stories behind the culinary pastimes of three of the most celebrated composers of the 19th century, Gioachino Rossini, Giacomo Puccini, and Giuseppe Verdi through three recipes they left behind.
Arguing for Instagram: How Algorithmic Addiction Can Advance the Dancer
It starts with one harmless minute on your phone, right? Just a few minutes on Instagram, one more video on YouTube, and soon enough hours have passed and nothing you originally set out to accomplish has been done. But you can learn to turn this form of procrastination into a vital tool for your own artistic education.
Sumina Studer, Violinist and Music Entrepreneur: London’s Hidden Music and Art Spots
Award-winning violinist and music entrepreneur Sumina Studer is a true citizen of the world who has captured the hearts of millions on her various social media platforms. She has now made London her home. TWoA talked to Sumina about her favourite music and art spaces in London, and about social media in the arts and de-pressurising classical music.
Inspiring Words at the 2024 Prix de Lausanne
From 29 January 2024 until 4 February 2024, dance students and ballet lovers all over the world got to experience the Prix de Lausanne in daily live streams. Apart from the dancing, one of this year’s highlight were the inspiring words spoken at the awards ceremony by two former prima ballerinas, President of the Jury Darcey Bussell and Lifetime Achievement Award Winner Alessandra Ferri.
Tiffany Poon, Pianist: A Rising Star on Her New Album “Diaries: Schumann”
Pianist Tiffany Poon is about to launch her solo album Diaries: Schumann. Hong-Kong born, but New York-based, Tiffany is an artist with a mission: to demystify classical music by emphasising the human side of it. Her more than 323K subscribers on YouTube prove she’s on to something. TWoA talked to Tiffany about her first mini-toy keyboard, life and, of course, Schumann.
Dancer Dorms
Join Thy-Lan Alcalay on a tour of her dorm room turned mini fitness studio. Thy-Lan is a dance and architecture student at Barnard College of Columbia University, New York.